Shout Out to the Bookshops!

We might not have seen much of them during the pandemic, but bookshops are still here for us. Personally, I've still been ordering through bookshop sites, even while I've been at home. And now that I'm tentatively stepping back outside, the one thing I look forward to most is time spent browsing in bookshops.

But this week, I'd like to give a specially big shout out to the three bookshops who are now stocking copies of Asexual Fairy Tales and Asexual Myths and Tales. That's:

THANK YOU!!

And a big contratulations to my local bookshop, Waterstones Bradford Wool Exchange, which celebrates its 25th anniversary this month. Not only is it in one of the most beautiful historic buildings, but is a great supporter of Bradford Literature Festival.

This week, I had my first proper visit since lockdown. Not only did I buy a couple of young adult titles with asexual representation, AND some birthday gifts, but I had lunch in the cafe (aka "my office") for the first time in nearly two years.

Aren't bookshops brilliant?

Comments

Post a Comment

Popular posts from this blog

In Praise of Hairy Women

Image
Who doesn't love Lettie Lutz, the Bearded Lady character in The Greatest Showman, who sings   the iconic anthem, This is Me ? Yesterday, my daughter took me to a singalong version of the film for a Mother's Day treat, and we both belted out This is Me at the tops of our voices. Both Lettie and the song have become symbols for anyone who feels marginalised or different. It so happens that last week I watched another film about a hairy woman, the very beautiful Norwegian coming-of-age film,   Løvekvinnen , or The Lion Woman, based on a book by   Erik Fosnes Hanson.   It tells the story of Eva Arctander, who is born in a small town in the early 20th century and struggles to find her place in the world. Especially, it concerns her relationship with her stationmaster father, widowed at her birth. I loved this film - which I watched on Netflix - and I definitely want to see it again. One of my best reads of last year was Orphans of the Carnival by Carol Bi...
Read more

Beauty and the Beast: King of the Wood

Image
She asked for a rose.  Her father reaches out to pluck one.  Suddenly, a Beast appears, furious, accusing him of theft.  The penalty is death.  Or the surrender of his daughter. But why such a harsh penalty for plucking a rose?  Much has been said - or invented - on the possible meaning of the rose.  When the last petal falls, the Beast's fate is sealed eternally.  It is the first thing he has learned to love.  It symbolises virginity; the plucking of the rose mirrors the deflowering of the daughter; the aristocratic Beast is excercising his  droit du seigneur  over Beauty, the merchant's child. But why should the plucking of a flower carry such a heavy penalty?  And why does the same motif occur in other fairy tales?  For example, Rapunzel , in which the father must sacrifice his child as payment for picking herbs from the Witch's garden. One answer may lie in ancient mythology.  Most ancient polytheistic religions have s...
Read more

Amputation in Fairy Tales

Image
                            The Red Shoes: The Archers/J Arthur Rank, 1948 The other night, I was watching the classic 1948 film, The Red Shoes.  When the film was over, I decided to read up on the original tale by Hans Christian Anderson, which brought me back to the subject of amputation in fairy tales. When I was writing my novel, Silver Hands (based on Grimm's fairy tale, The Handless Maiden) I had to think carefully about how I was going to approach amputation in my re-telling.  I decided early on that, in my version, the hands were not going to grow back as they do in my source tale.  The 2012 Paralympics made everyone in my country much more aware of the achievements of amputees.  In real life, limbs do not grow back; what can grow, however, is confidence and new abilities.  This was what I wanted to portray in Silver Hands.  Margaret learns new skills in painting and calligraphy, ...
Read more