Like most people, I'd heard of Platonic love, but I didn't really know what it was. I had some vague idea it was about being "just friends". I also knew that Oscar Wilde defended himself against charges of homosexuality by invoking some ancient ideal of a noble friendship between an older and younger man, but I didn't really know what that was about either, or that the two were related. Things only changed the other week when I was reading a book about Leonardo and Michelangelo - The Lost Battles by Jonathan Jones. It says that Michelangelo defended himself against gossip over his male/male friendships by invoking Plato's Symposium. It also quotes a poem by Michelangelo, which says: Well, alas! How will it be heard? the chaste desire that burns the interior of my heart by those who in others always see themselves? This certainly struck a chord with me, and is very relevant for Carlo and Tammo's coming relationship in the next episode of my Angelio tr...
Warning: contains spoilers for the books and film. This year’s theme at Swanwick Writers’ Summer School is “Back to the Movies”. I’ve decided to go as a character from one of my favourite films ever: Howl’s Moving Castle . For that reason (as if I needed a reason!) I’ve been re-watching the film and re-reading the sequels, Castle in the Air and House of Many Ways . And as with the moving castle itself, there is always more to discover. Here are some of them. The Magician’s Cape I’ve been reading this Swedish fairy tale by Anna Wahlenberg as part of my ongoing quest for asexual fairy tales. I think it could well qualify! But I couldn’t help noticing the similarities to Howl’s Moving Castle. The titular magician has a castle high on a mountain, in front of which “he conjured a wonderful garden where magnificent flowers glowed… There the magician would lie on a velvet couch under the branches watching beautiful young girls dance on the lawn, and sing and play the guitar.” Furt...
The Red Shoes: The Archers/J Arthur Rank, 1948 The other night, I was watching the classic 1948 film, The Red Shoes. When the film was over, I decided to read up on the original tale by Hans Christian Anderson, which brought me back to the subject of amputation in fairy tales. When I was writing my novel, Silver Hands (based on Grimm's fairy tale, The Handless Maiden) I had to think carefully about how I was going to approach amputation in my re-telling. I decided early on that, in my version, the hands were not going to grow back as they do in my source tale. The 2012 Paralympics made everyone in my country much more aware of the achievements of amputees. In real life, limbs do not grow back; what can grow, however, is confidence and new abilities. This was what I wanted to portray in Silver Hands. Margaret learns new skills in painting and calligraphy, ...
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