This is a rough summary of the section which covers his trip to the UK, along with some additional notes added on to the text on the website.
I arrive in a marvellously walled city.
Accompanied by a nobleman.
I ask him to leave me at an inn.
He’s shocked – “What? When my house is available?”
I wouldn’t want to disappoint the Grand Duke who had such high hopes that you might lodge with me (lit. be counted amongst those who dined regularly around my table)
How will you find your way around without a word of English, without a guide, without a clue how to get from A to B? I’d be committing a schoolboy’s error (lit. grammatical error) in serving you so badly as a patron.
When I was in Florence, your master treated me very kindly. It’s the least I can do to repay his favour.”
I can’t refuse this noble Englishman, and find myself lodged in his house where fournoble persons were to be found: father, mother, sisters and a brother-in-law.
They greet me as if they’d known me all their lives. I put my good fortune down to divine providence.
I lack for nothing. I’ve landed on my feet, in a house with a church just round the corner, (something about finding an ambassador perhaps thanks to his escort???) and have found sustenance for both my body and my soul.
There I find 4 ambassadors – all of which have private chapels at home and priests, where I, who have taken catholic vows, can offer up [prayers] to God, without fear of repression.
Music is so popular in England and so sought after that singers who have any reason to be proud of their achievements in voice and art are fought over by rival camps – they go to war over them!
Anne, the present queen, hearing that I, a renowned singer, have arrived in town, has made it known to me that I’ll shortly be called to prostrate myself at her feet – an honour which I’m very glad to accept.
The invitation’s come – it’s made me so happy – and I’m told that if she likes the way I sing, my reputation will be established here.
My host tells me that she liked a castrato called Nicolino and rewarded him richly with gold – and that my singing’s better than his, and will probably please her more.
He says she prefers singing that’s full of pathos to the happy stuff – and that she likes voices that flow sweetly forth rather than give her earache with their screaming.
He tells me all this with more affection than any father would have shown their son. I thank him with tears flowing down my cheeks and promise him my eternal gratitude.
Lady Burlington [Miledi Borlinton], who’s greatly favoured by the queen, asks me to call on her and tells me, “Get ready to perform your best arias at court.”
(Perhaps Lady Burlington, wife of the Duke of Devonshire, a member of the court)
“Her Majesty will send you word through me when she would like you to present yourself at Kensington [Kisinton] where the court is currently, and stay there perhaps for a few night.
(The reference is to Kensington Palace)
Get your things ready and as soon as you receive news from me, be ready to set off promptly to satisfy her every wish.”
Following which, she asks me to sing an aria, so she can tell Her Majesty whether Ican sing or whether I just sound like a rattle.
I sing an aria that’s full of pathos, and I notice that Her Ladyship is enjoying it, which made it easier for me to hit the mark.
That done, Her Ladyship demands I sing something that – so to speak – shows off the skill I have that people admire so much of singing in my other register [?].
Apparently the royal invitation depends on whether I can cough up the goods. [this is a liberal interpretation]
I take my leave, and make preparations as commanded. She’s so chuffed, I don’t think her nose stopped pointing upwards for a week! [Again – a very liberal translation – the phrase is ‘che niun osa toccarlo sotto’al mento’ that no one dared touch the messenger under the chin (or chin strap) – possibly a reference to an Italian hand gesture - http://www.amusingplanet.com/2011/10/rude-hand-gestures-of-world.html) – perhaps I’m reading too much into it]
Here’s a carriage that’s come to pick me up. I’m in the antechamber. While I’m waiting for the great moment to arrive when Her Royal Highness will grace me with her hearing,
The courtiers [Li Milordi] crowd round me – one or two of them speak [some sort of] Italian – and with a truly superhuman effort try to interrogate me until they’resatiated.
They want to know about the Czar, the Khan, and I make sure they have their satisfaction, until finally, face-to-face with Bacchus, I surrender – I can hardly stand, let alone draw breath.
An hour passes. Another two. I’m finally dismissed. They’re called away by affairs of state, and whatever general stuff they usually get up to.
I’m told I’ll be informed when I should return. Bowing in every direction to the courtiers around me, I take my leave from the Lords of the court.
I’m on my way back into town, to wait to be called up on another day; but Mr World decided to taunt me, to make me suffer.
It was not the affairs of state as I stated that got in the way of Her Majesty seeing my moustache and hearing me warble [lit. my ululations],
But overcome with sorrows, so bowed down by them was she that evening, got so fed up and frustrated with life,
That in three days’ time the news spreads round London that the Queen has given up. On the fifth, that she’s passed on to the afterlife, and my good luck’s run out.
(The Queen died on 1 August 1714)
The two main parties – Whigs and Tories – wake up. They have no thought for music – their main concern is to rage against everything else.
Some want George to be the king; some the president, and London’s turned upside down. The strongest party carries the vote. And now George is King of England.
He doesn’t come to claim his country; but spends his time partying to music so bad he must be deaf; so all that’s left for me is to pack my singing up in my bag and leave town [?].
It should be noted that:
FB had the opportunity, nevertheless, to be heard in aristocrats’ homes; his host, who brought him to London and whose name remains unknown, put him up for 6 months, and introduced him to society, recommending him to everyone he knew; they, in turn,didn’t hold back in terms of lavishing praise on Baratri, offering him gifts such as boxes, watches, cases, rings, swords … even though they didn’t offer him cash gifts. Londoners were generally of the opinion that he was a ‘gentleman’ – despite this, he never appeared on the London stage. It is with pride that we note that Baratri did not frequent low-life dumps, limiting his performances to churches, oratorios and chamber music. He gained much in terms of honour, and little in terms of cash: his brother came to visit him from Rome and this aggravated his relatively precarious economic situation: at last, the Grand Duke of Tuscany ordered Balatri to return to Florence, in the company of a rather dull and boring Tuscan emissary [?].